Even in the rain, the Itchiku Kubota Museum in Kawaguchiko was the most beautiful I have ever visited.
The museum grounds were equally as beautiful as what was displayed within.
Itchiku Kubota (1917-2003) was a fabric artist and dying expert who created deeply gorgeous, beautiful kimono, each one a work of art in its own right. Inspired by the lost Japanese dying art of tsujigahana seen on a visit to the Tokyo National Museum when he was 20 years old, Kubota studied and worked to figure out how it was accomplished, and then created a contemporary style of the technique now known as Itchiku Tsujihanan. Along with other dying techniques such as shibori (tie dye), resist dying, and layered dying along with embroidery and other fabric techniques, each one of the kimono he created is a unique work of art. It took nearly a year to make each kimono (with the help of assistants), and while almost all are individual works, some are parts of a larger work when placed together.
Kubota designed the museum himself, and set up his studio there. Located on a forested hillside just outside of the city of Kawaguchiko in the Fuji Five Lakes district, the museum experience begins at the front steps where visitors pass through a large wooden gate surrounded by a swirling bronze sculpture. A path leads visitors up through a large garden filled with ponds, waterfalls, benches and seats where visitors are invited to stop and reflect. The museum building itself is very organic, constructed of chalk and covered with limestone, and built partially into the hillside. The actual kimono gallery is a large pyramid, built from over 1,000 ancient cedar trees chosen by Kubota. The pyramid allows light to stream in (even on a rainy day) making it possible to view the kimono in natural light.
None of the kimono on display are behind glass; visitors are encouraged to get as close as they’d like to inspect the kimono (without touching, of course) and see how the different techniques come together to create the larger images on the kimono. Visitors are also shown a short video about Kubota before entering the gallery to understand some of his technique (some of it remains unknown) how the kimono are made.
The entire experience left Brett and I speechless and filled with wonder, and we both agreed that it was the most beautiful of any museum we had ever visited, both inside and out. Whether you are interested in fabric art or not, the experience of seeing Kubota’s work and visiting his museum is worth the effort. To reach the museum from Tokyo, take the JR Chuo line limited express train from Shinjuku station to Otsuki station; change to the Fujikyuko line to Kawaguchiko Station. The museum is a 10-minute taxi ride from the station. The entrance fee is currently ¥1300 per person.